As feminist, I managed to enjoy “Bridemaids” still feeling I could look Emily Pankhurst in the eye afterwards. It was refreshing to see women on screen I could recognize. Instead of the usual shrill relationship fixated twiglets, these hot messes mismanaged their finances, fell out with their friends, got drunk and slept in bath tubs. These were ladies I could work with.
Do all films about female friends have to be po- faced documents of female struggle? Do they have to end with the message that ultimately we all die alone? Hasn’t Samuel Beckett already beaten her to that premise? Why begrudge Annie, our heroine a nice boyfriend at the end? Rather than being desperate to get wed, she has to overcome her cynicism and grow up before she can get together with the nice Irish cop. Rather than being her goal, he and the rewarding relationship he represents is the prize she earns at the end.
As for Kate Moss, I don’t think anybody considers getting married the supermodels greatest achievement. I think most were pleasantly surprised at how relaxed and incandescently happy she looked in her wedding pictures. The self made millionaire has married a man that obviously adores her, in a killer dress, surrounded by her family at a dream wedding, she probably paid for. Remember, this is that same woman who got her heart broken by Pete Doherty- give the girl a break. In the same week her ex stumbled out of yet another prison sentence for drugs, couldn’t anybody, of any gender, wronged in love not feel a shiver of vicarious glee at her happiness?
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