Movie Pitch: Morrissey and Me.

hey guys! I don't really know a lot about the film industry but I have an amazing pitch for a romantic comedy. Is there anybody who can get it seen by the relevant people?! Grrrr!! LOL!!



Movie Pitch: Morrissey and Me.



Gráinne (Gráinne Maguire/Ann Hathaway?), a cocksure young comic decides that in order to write her musical “Girlfriend in Coma” A retelling of the African American feminist movement using songs of The Smiths she must go to extraordinary efforts to insure that notoriously recalcitrant musician grants permission to use his back catalogue. Determined to see her dream come true, she disguises herself as a young gay man and faints in front of his abandoned reclusive manor.



Next scene we see her awakening in a gargantuan living room to find Morrissey (Morrissey/Gordon Brown/Colin Firth?), awkwardly soothing her brow with a damp towel. She claims to have no memory of anything at all apart from being a gay man and a vegetarian. Morrissey, who lives alone with only a loyal retinue of browbeaten servants, agrees to look after his new guest until his (her!) health returns and the two begin a tentative friendship.





MONTAGE: (music-Someone Like You- Van Morrison/Leona Lewis cover?) Gráinne discovers his library- sees different side to him? Eating at long formal table; changing to informal snacks in kitchen; changing to food fights? Gráinne stands up to him/ argues back? Gráinne shows Morrissey how to feed birds? The two play fighting? Wide shot of the two sitting by open fire. Close up of Morrissey looking tentatively happy/ Gráinne looking guilty.



Eventually, haven fallen in love in a paternal way with his house guest, he arranges a surprise slumber party where he plans to officially sign over his fortune, including back catalogue to his young ward. Unfortunately as he excitedly prepares the guestroom with popcorn and a Clueless DVD, his accidentally knocks open her diary and discovers Gráinne’s secret plot in numbered bullet points. He also comes across earlier diary entries where she’s written that she actually thinks Oscar Wilde is over rated. Heartbroken, angry and distraught, in an emotional scene outside in the rain Morrissey reveals he knows her secret. Gráinne tries to explain that her earlier mendacity has blossomed into real friendship but, with a tear stained face; the former Smiths front man banishes her from his life. Shot of Gráinne falling in mud. (Coldplay/ Keane music?)



Gráinne stumbles through abandoned streets. More Rain/ Possible wind machine? There she bumps into Sebastian (Owen Wilson/Jack Whitehall?) her identical twin brother whom she always thought was dead.



INTR: cafe: Gráinne is amazed to discover that Sebastian has also been working on his own Smiths based musical “You’re the One for Me Fatty” A retelling Margaret Thatcher’s dealing with IRA hunger strikers also using the songs of the Smiths. He had disguised himself as an amnesiac young woman and had been staying at Johnny Marr’s (Ian Hart/Hugh Grant?) house. He had also been rumbled, but thanks to an unlogged out gmail account rather than diary. Both shake their heads, ruefully wishing that their mother was alive to see her twins finally reunited. Shot of waitress clearing table- hint that she is actually ghost of their mother?



INTR: West End Theatre. Following the advice of an eccentric old lady, who had both a degree in performers law and also, sadly, terminal cancer, the twins have discovered a loophole allowing them to perform their Smiths musical re-titled “Everyday is like a Sunday” about a young man’s struggle with long term memory loss. At the end of the final number as the smoke clears and the canons slowly roll off stage, we reveal Morrissey and Johnny sitting at opposite ends of the packed auditorium. They both spontaneously give a standing ovation, in doing so become aware of each other’s presence for the first time. A hush falls over the packed theatre and after a heart breaking pause, they embrace weeping. Gráinne and Sebastian (matching outfits?) look at each other, roll eyes and laugh (Lily Allen track?)



Final scene: Morrissey; Johnny, Gráinne and Sebastian all in Morrissey’s living room. His house is no longer cold and menacing; his loyal butler (Antony Hopkins/Miranda Hart?) looks on approvingly as they all happily watch a DVD of Clueless. Johnny suggests that they go out somewhere afterwards; Morrissey says he’d love to but he hasn’t got a stitch to wear. Johnny, Gráinne and Sebastian start to laugh and throw popcorn at the former Smiths front man, who frowns and then begins to laugh himself. Cut to bird flying out of window into the night sky (symbolic?)



END



Possible Sequel Opportunities: The gang discover a baby abandoned on their door step? Morrissey opens a Private detective Agency?